It was translucent, with a brownish-gray color when held to the light, had exceptional wear properties for repeated play, and had dead-quiet surfaces that allowed you to hear just the music, rather than a combination of music and record surface noise. vinylic synonyms, vinylic pronunciation, vinylic translation, English dictionary definition of vinylic. By licensing titles that were already big sellers, such as the Pink Floyd LP, Supertramp’s Crime of the Century, and the Grateful Dead’s American Beauty, Mobile Fidelity became quite successful, though not all record companies were interested in licensing their product to the label, nor were they interested in having it demonstrated to the public that the records they were selling themselves didn’t sound very good. Click any of the links below to jump to each category: Early Audiophile Records With the record companies putting an end to the importation of Japanese audiophile records, they then set out to try to get rid of the record altogether, instead promoting the digital compact disc, which had significantly higher profit margins. There were various reasons for changes in the industry, but the result was the mass production of records that, for the most part, didn’t sound that great when compared to what had been available just a few years before. While most record companies today strive to make a quality product, from recording to final pressing, that wasn’t always the case. Today, with the resurgence in sales of vinyl, lots of companies are again making audiophile records. The Haeco-CSG (“compatible stereo groove”) process attempted to correct this and allowed record companies to produce a record in one format only – stereo, which would play back at the same level regardless of the type of phonograph used to play it. Despite the label’s attention to quality, they were never overly successful, with their records being seen as a niche market. They would insist on using only the master two-track tape, rather than a copy, or a copy of a copy. In the era of stereo records, we had a period where many, if not most, records produced qualified as audiophile records, then a long period where virtually none of them did. Just think, digitalheads, we're talking floor noise, too! This site makes use of cookies which may contain tracking information about visitors. Another problem was that the lack of a master tape meant that when the stampers wore out, production of a particular title must come to a stop forever. While these records looked a lot like those from Mobile Fidelity and used a similar half speed mastering process, the tapes used to make these audiophile records were at least one generation down in the duplication chain from those used to produce Mobile Fidelity records, resulting in a product with a quiet playing surface but sometimes spotty sound. These pressings were made entirely in-house, and used a higher quality vinyl than what Columbia used for their regular pressings. In addition, their records were pressed from quality vinyl, with quiet surfaces that reproduced the music well without producing distracting noise or ticks or pops that often comes with records pressed from poor quality or recycled vinyl compounds. A Japanese pressing of the Blue Note LP Volume 2 by Miles Davis, including the original obi. Audiophile Records by Design Contact | Terms and Legal | Privacy | Data. I have a few of Stans UHQR pressing amazing thats all I will say. After all, no one makes records to intentionally sound bad, do they? Japanese Audiophile Records Record companies expanded and opened more pressing plants, but this led to yet another decrease in quality. Mobile Fidelity sold their records for nearly double the price of that of the major record companies, but enjoyed considerable success in the days prior to the invention of the compact disc. The patent application for High Definition (HD) vinyl was filed last week and should revolutionize the conventional production method. While this was great for record companies, as it allowed them to dramatically reduce manufacturing costs, it was terrible for consumers who appreciated high-quality sound, as the phase-cancellation process used by CSG resulted in “tinny” sounding records with relatively little bass. The records were kept in the presses longer than their regular releases in order to produce a better-defined disc. Analogue Productions has been producing audiophile records in two versions – a regular pressing that plays at 33 1/3 RPM and a pressing that plays at 45 RPM. Many records were lighter in weight and indifferently manufactured, resulting in records with lots of surface noise and a tendency to warp. The box itself is high quality, textured & embossed with red text. Sure, I fire up the digital front-end when I’m after some background music at home, I listen to CDs in the car, … Today, as we enjoy the return of vinyl records to the marketplace, fans of well-recorded music are again able to enjoy listening to audiophile records. Perhaps the worst example of this were the records RCA pressed at this time. The tapes would then be transferred to production stampers with the greatest of care, and the records would be pressed using quiet, high-quality vinyl and packaged in such a way as to protect the finished disc as much as possible. No, companies don’t intentionally make records that sound bad, though many records don’t sound as good as they possibly could. Are 180 gram vinyl records inherently better than standard pressings. That’s not surprising; the cost of a stereo record album in 1960 equates to more than $40 today. Specially Plated and Pressed on High Definition Super Vinyl by … A scarce quadraphonic pressing of the 1974 LP Stormbringer by Deep Purple. Although the CSG process was used for only two or three years, it was often used at the master tape mixing stage, leaving master tapes of albums released during this time by several major record companies (the Warner-Elektra-Atlantic group among them) forever sounding artificially wrong. Mobile Fidelity is back in business again after a short period of bankruptcy, and other companies such as Classic Records and Acoustic Sounds have stepped in to add to the quality pressings available on the market. This led to the formation of one of the earliest companies to intentionally produce audiophile records – Sheffield Lab. The public has responded, and today, every pressing plant in the world is running at full capacity. In 1982, Mobile Fidelity went a step further in producing audiophile records by creating the Ultra High Quality Record, or UHQR. Vinyl pressing frequently used terms and definitions. Sheffield Lab They came up with what was then a novel idea to produce higher-quality records than what was then available, allowing listeners to experience well-recorded albums, such as Pink Floyd’s The Dark Side of the Moon or John Klemmer’s Touch, as they were meant to be heard. So, … While RCA claimed that the Dyangroove process added “a remarkable degree of musical realism,” the music community disagreed as did many stereo and hi-fi publications of the time. A UHQR individually numbered & signed Certificate Of Authenticity The 13 Track vinyl LP in a unique hand numbered picture sleeve with anti-static inner. Is the goal to make money? I received the record today. The latter company produces painstakingly detailed reproductions of obscure classical titles that are limited to 300 copies only. We call our records made under these strict standards Ultra High Quality Records … Thick, heavy 220 Gram press, using special JVC vinyl - (The only MFSL UHQR release, on 220 gram Vinyl… In the late 1970s, a company called Mobile Fidelity Sound Labs, founded by Brad Miller, decided that it was time to produce audiophile records, meaning records that manufactured to sound good as the music on them, and records intended for people who actually care how their music sounds. This early “golden age” of stereo and high quality recordings didn’t last all that long; in fact, it was over in less than a decade. In the early 1980s, tens of thousands of Japanese LPs were imported into the United States and sold as high quality “audiophile records.” Many of these titles were pressed in Japan by JVC, the same company that was pressing records for Mobile Fidelity, often using the same vinyl, though rarely the same master tapes. Gives me hope that the newer vinyl … … In the late 1970s the label earned a reputation for high-quality audio … Some time with Chad it is all about money . Box, inserts, booklets, and, of course, how is the vinyl being pressed, etc. | Meaning, pronunciation, translations and examples While there are now processes available to remove the CSG artifacts from recordings from the 1968-1970 era when it was primarily used, most copies of albums released during that era suffer from poor sound quality due to its use. While this appeared to be an appeal to scarcity to encourage sales, it actually had more to do with requirements from the record companies from whom they were licensing the recordings. This single-record box set was limited to only 5000 copies and individually numbered! Record companies today are making a determined effort to make their product as good as possible, with careful attention paid to the quality of the mastering process, the quality of the vinyl used in pressing the records themselves and the tapes used in the mastering process. UHQR stands for Ultra High Quality Record.


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