Tina Modotti (August 16 (or 17) 1896 – January 5, 1942) was an Italian American photographer, model, actress, and revolutionary political activist. Italian, 1896–1942. In 1926 Modotti and Weston took the photographs for Brenner’s landmark book on Mexican art, Idols Behind Altars: The Story of the Mexican Spirit (1929). Tina Modotti izenez ezaguna den, Assunta Adelaide Luigia Modotti Mondini (Udine, Italia, 1896ko abuztuaren 16a - Mexiko Hiria, 1942ko urtarrilaren 5a) argazkilari italiarra izan zen, aktibista eta borrokalari soziala Mexikon. See available photographs, and prints and multiples for sale and learn about the artist. Modotti, Tina (1896-1942), Italian photographer, model, actress, and revolutionary political activist. A biography by Margaret Hooks, first published in 1993 and recently reissued — “Tina Modotti: Photographer and Revolutionary” — sorts out these myths. During the next few years she engaged in various missions on behalf of the International Workers’ Relief organizations and the Comintern in Europe. Tina Modotti(Údine, 17 de agosto de 1896 — 5 de janeiro de 1942) foi uma fotógrafa italiana, modelo, atriz e ativista política revolucionária Juventude. Tina Modotti viaja al país para los funerales de “Robo” y descubre una nación que en los años sucesivos será el centro de su vida. Tina Modotti. Tina Modotti’s photographs blend formal rigor with social awareness. See available photographs, and prints and multiples for sale and learn about the artist. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. On January 10, 1929, Modotti’s comrade and companion Julio Antonio Mella was assassinated, ostensibly by agents of the Cuban government. Although the historic town of Udine was prosperous and in general politically conservative, the working class… José Magriñat was arrested for Mella’s murder.). Tina Modotti (16. srpna 1896 – 5. ledna 1942) byla italská fotografka, modelka, herečka a revoluční politická aktivistka Kominterny.V roce 1913 opustila Itálii a přestěhovala se do USA, kde pracovala jako modelka a následně jako fotografka. Tina Modotti, original name Assunta Adelaide Luigia Modotti, (born August 16, 1896, Udine, Italy—died January 6, 1942, Mexico City, Mexico), photographer who was noted for her symbolic close-ups and images of Mexican workers. Notable Works. (New York: Aperture Foundation, 1999) 6. Tina Modotti was born on August 16, 1896 in Udine, Friuli-Venezia Giulia, Italy as Assunta Adelaide Luigia Modotti Mondini. Follow. She was an Italian model, a political Biography. On, As a result of the anti-communist campaign by the Mexican government, Modotti was expelled from Mexico in February, 1930, and placed under guard on a ship bound for Rotterdam. https://www.britannica.com/biography/Tina-Modotti, The Library of Congress - Biography of Tina Modotti, Library of Congress - Biography of Tina Modotti, The Telegraph - Tina Modotti: An amazing life in photography. Tina Modotti's closely cropped picture of a worker's dusty hands conveys the realities of hard work. She photographed briefly and without distinction in Berlin before moving to Moscow. However, in response to the deteriorating political situation in Germany and her own exhausted resources, she followed the advice of Vittorio Vidali and moved to Moscow in 1931. She died unexpectedly in 1942. Upon the fascist victory in 1939, she fled to France and then to Mexico, where she lived semiclandestinely. In addition, Modotti documented murals by Rivera, José Clemente Orozco, and other leading artists. In 1930 she was jailed for her alleged participation in an attempted assassination of Mexican Pres. Italian photographer, model, actress, and revolutionary political activist. Tina Modotti Biography: Early life. [1] Assunta Adelaide Luigia Modotti Mondini, nicknamed Assuntina, and later "Tina," was the daughter of an Italian machinist who immigrated to the United States in 1906. In 1929 Modotti was framed for the murder of her companion, Julio Antonio Mella, a founder of the Cuban Communist Party. After joining the Communist Party in 1927, she made images such as Mexican Sombrero with Hammer and Sickle, symbolizing communist ideology and marrying formal elegance with highly charged political content. Her photographs for the communist newspaper El Machete were among the earliest examples of critical photojournalism in Mexico. She apparently intended to make her way into Italy and to join the anti-fascist resistance there. following. 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