This is Neumann’s top of the line “flagship” model. The M 149 offers higher sensitivity and much lower noise than vintage tube microphones. The M 149 is a premium microphone which will satisfy even the most demanding users. The capsule (K 49), also from the M 49, is a select version of the K 47 capsule from the famous U 47. The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. The M 149 continues in this tradition, augmenting the timeless fidelity of its predecessor with updated technology and improved performance specs. The M 149 offers nine directional characteristics – omni, wide cardioid, cardioid, hypercardioid, figure-8, plus four intermediate positions – as well as a 7-position low cut (20 to 160 Hz in half-octave steps). The circuitry of the M 149 Tube includes a tube amplifier coupled with Neumann’s FET 100 transformerless circuitry as used in Neumann’s award-winning TLM 50 microphone. The M 149 is a universal studio microphone with tube electronics in the tradition of the legendary M 49, the large diaphragm condenser microphone that raised the standard of audio recording in the 1950s and has shaped the sound of countless jazz and pop albums ever since. It is the first new “Tube” microphone design from Neumann in over 30 years, and also the world’s first transformerless tube microphone. Its innovative transformerless tube circuit ensures optimal sound with lowest self-noise. Neumann M149. Neumann M 149 polar patterns and frequency response. ... Directional characteristic: cardioid, Frequency response: 30 - 18000 Hz, Sensitivity: 25 mV / Pa, Max. WARNING For 50 years! Like its predecessor, it uses the classic K47/49 large diaphragm capsule in an acoustically open headgrille. For more information go to: High-resolution tri-amplified near-field monitor, optimized for midrange and a dry bass sound. according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS, Vocal Coach Ken Tamplin about the M 149 Tube, Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each, Typical SPL (tube characteristic) for K<0.5%, Typical SPL (tube characteristic) for K<5%, Signal-to-noise ratio, CCIR (re. The M 149 is a universal studio microphone with 9 selectable polar patterns. Unlike most other closed-back headphones, the Neumann NDH 20 is suited to mixing purposes too. This delicate dual diaphragm capsule is housed in a large, acoustically open headgrille, which minimizes internal reflections. Same capsule as the legendary U 47 and M 49 microphones, Tube electronics with very low self-noise. The FLEA 47 is a copy of the old Neumann U47 and is, IMHO, the best of the copies out there. Download PDF, Vocal Coach Ken Tamplin about the M 149 Tube This flexibility along with an exceptionally low self-noise figure of only 13 dB-A (cardioid mode) makes the M 149 a truly universal studio microphone for all applications. with a transformerless output stage. This is Neumann’s top of the line “flagship” model. The final stage is a high-precision, ultra-low distortion transformerless output stage, which preserves the full dynamics of the preceding tube circuit and is optimized for 21st century signal chains. Discover 1966 What else happend The circuitry of the M 149 Tube includes a tube amplifier coupled with Neumann’s FET 100 transformerless circuitry as used in Neumann’s award-winning TLM 50 microphone. The result is a very versatile large diaphragm condenser microphone for all studio applications. Powerful compact bi-amplified studio monitor with superb impulse response and resolution. Thanks to its extended frequency response ranging from 5 Hz to 30 kHz the NDH 20 is particularly helpful to check the upper and lower extremes of the audio band. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres. The ultimate studio standard all over the world. It was this innovative combination of classic tube technology with state of the art Neumann engineering which earned the M 149 a prestigious TEC Award in 1997. And thanks its current sensing technology, which ensures optimal operating conditions for the tube, and its low output impedance, the M 149 can drive long cable runs of up to 300 m without transmission losses. The M 149 uses the same sound transducer as its famous predecessor, the classic K 47/49 large diaphragm capsule, renowned for its supreme balance and unmatched presence. Its features include five selectable polar patterns and a two-stage low cut as well as a switchable 6 dB preattenuation for extreme sound pressure levels of up to 140 dB without unwanted distortion. Or, of course, you could also go for the Gefell CMV 563 / M7S which is a re-release of a 1950's classic with a genuine Georg Neumann M7 capsule.


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