Sarah Schachner and Jesper Kyd on how they mixed modern techniques with ancient instruments for Assassin’s Creed Valhalla. The V1 voicing is a little more controlled at the bottom, and has a little more character in the upper range – something I am prone to hiding on my own, less-than-perfect vocal performances. A better singer may well get better results with the V1, but it’s great to have the D voicing there to switch to. It’s the most wonderful time of the year for your plug-in folder. 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Finally, the D voicing pushes the vocal back into more familiar territory. As with its previous microphones, Aston developed the Stealth with a team of top engineers, producers and musicians to ensure that the final voicing was something that professionals would be happy to use. Despite the two being remarkably similar on the frequency plot, the overall tone when comparing them is a little more obvious. • Usable as either a conventional passive dynamic mic, or as an active high … Aston is quick to point out that these are just suggested settings and that your own experience with each voicing may differ. On electric-guitar duties, with my Fender Blues Deluxe amp, the D setting once again takes centre stage, pushing the low end in a way that makes the amp sound twice as big as it really is, and rolling off any sharp edges at the top end of the amp (these tend to be an issue when pairing this amp with a Strat). Following up on our last tutorial about mastering in Live 10, it’s time to dig a bit deeper, and highlight two of the most important and most-used of Live’s mastering devices –  Multiband Dynamics and EQ Eight. Yet on cranked electric-guitar cabinets and kick-drum duties – signals where otherwise a pad might be engaged – the passive mode has enough level to suit my purposes. All four voicings look fairly similar from 500Hz up, with each one having a distinct lift in the top end, centred around 7kHz and a high-frequency roll off above this point. Mix with the entire Beatport catalogue on virtual decks. Should you want the mic to be a little more noticeable, a switch on the underside enables you to turn on a built-in purple LED around the base of the mic. None of the voicings have the airy quality of a high-end condenser mic and if that is the style of vocal you are searching for, you’re still going to be better off with The G voicing is quite similar to the V2 voice, which was quite surprising, as I’d thought this might push the depth of the open chords back even further. The advantage of having four voicings should not be underestimated – it’s like having four microphones in one. Forget musical typing and hit the right notes – without spending all your banknotes. Rather than try and take on the industry-standard Shure SM58, as so many other microphone manufacturers have attempted to do, Aston has taken inspiration for the Stealth from the likes of the Shure SM7B and Electro-Voice RE20 – dynamic microphones that are often thought to have more in common with large-diaphragm condensers than their dynamic siblings. Similarly, Aston spotted another voicing that was the preferred choice for a variety of guitars. We take a look inside the Spanish techno artists humble abode. In the run-up to the Swedish producer’s next album, Diving For Lost Treasure, he walks us through the emotive and upbeat single. In only a few short years, Aston Microphones has become a studio favourite around the world. © 2020 MusicTech is a member of the media division of BandLab Technologies. On vocals, for example, I find that without the built-in preamp, I was maxing out the gain on my LA-610 preamp and in fact using some additional gain from the compressor make-up section to get a healthy level into the DAW. In the G setting, the low-end is pushed even further back, with the weight now almost completely lost and the scratchy, edgy upper mids pushed forward even further. Of course, the source level will also have a lot to do with how much level is needed to be added. On acoustic guitar, with the mic placed about a foot from the 12th fret, angled at 90 degrees to the neck, the V1 voicing sounds huge. 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